| Title |
La interpretación grotesca en el Teatro-Danza: Marta Carrasco |
| Authors |
FONS SASTRE, MARTÍN BIENVENIDO |
| External publication |
Si |
| Means |
Signa |
| Scope |
Article |
| Nature |
Científica |
| SJR Quartile |
3 |
| SJR Impact |
0.1 |
| Web |
https://www.scopus.com/inward/record.uri?eid=2-s2.0-84864444765&partnerID=40&md5=f1104be4cc786e011971352e3b8f6239 |
| Publication date |
01/01/2012 |
| Scopus Id |
2-s2.0-84864444765 |
| Abstract |
This paper analyzes the Tanztheater proposals devised by Spanish creator Marta Carrasco, focusing on the performance of the actor/dancer from the point of view of the theories of the grotesque. This perspective allows us to talk about a grotesque acting style based on the work of the performer\'s body on stage, or bios. This style displays a series of formal characteristics that have their physical translation in the staging of Carrasco\'s creations. © UNED. |
| Keywords |
Acting; Grotesque; Performing arts; Tanztheater |
| Universidad Loyola members |
|
Manage cookies